HOME | ABOUT | SUBMIT | ARCHIVE | MEDIA | NEWS | PEOPLE | EVENTS | RESOURCES | BLOG |    
 

 

Back Next

Kimberly Dixon


Kimberly Dixon is a poet and playwright. As a poet she has been a Cave Canem and Callaloo fellow and published in outlets such as international literary magazine Versal, The Drunken Boat, and the anthology "Just Like a Girl: A Manifesta!" Her theater work has received readings and staged productions at Yale University, UCLA, Crossroads Theatre Company, Plowshares Theatre Company and Strawdog Theatre Company, and her comic play "The Gizzard of Brownsville" was a finalist in the Theodore Ward Prize for African-American Playwrights. She has also worked nearly a decade in marketing as a consumer researcher, communication strategist and trendwatcher, and recently became Managing Director of Chicago's literary non-profit the Guild Complex. . She holds degrees in theater, psychology and Afro-American Studies from Yale, UCLA and Northwestern University.


LET’S PAINT IT GREEN
 

she said, and hoisted it

from the clattering pile, 

wood legs chipped but free

of rude splits and a seat

bent for good by long-gone hips. 

 

Tuned to teenage frequencies,

I aimed my nose up and away

(dreading broadcasts of our thrift)

as she picked her way to the block,

raised her choice one-handed

and traded in two wrinkled squares.

 

Her forearm streaked with muscle

same as when she’d braid my hair,

tickling fast while I held the mirror.

 

 

HALL CLOSET

 

It was any other day. I came in hungry,

started telling her of my six hours. 

But she sat in the living room, in the far chair –

not the bedroom or kitchen or den –

her back straight against the pillow

like posing for a picture

and she was listening.

Not to my stories of teachers and tests,

not the rumble of the sliding door,

the scrape of a wire hook across the rod

as I reached to hang my jacket;

she didn’t concentrate on me,

maybe something about me...  She held on

to that chair and willed my silence

to better hear the cracking sounds, tread lightly

like a traveler on late-winter ice and no other way

round, rehearse how her voice should be to explain

what would happen, why, before the men –

they’d probably be men –

came in with heavy feet to sound the carpet

and there was no time left to smooth

the ragged edges. She listened hard,

propped on that stiff upholstery

while I reached into the dark without looking,

took hold of something thin and cool and empty, 

and she listened past me     and the closet     and the front door

 


 

 

 

   HOME | ABOUT | SUBMIT | ARCHIVE | MEDIA | NEWS | PEOPLE | EVENTS | RESOURCES | BLOG
Copyright © 2006 | All rights reserved. | Web Design by F. A. Stone