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Shayla Hawkins


Shayla Hawkins lives in Detroit, Michigan and won the 2008 Canute A. Brodhurst Prize in Short Fiction from The Caribbean Writer. She is a graduate and inaugural member of the Cave Canem Workshop/Retreat for African American Poets and has read at the Dodge Poetry Festival and the Library of Congress. Ms. Hawkins has published poems, interviews, book reviews and essays in, among other publications, Tongues of the Ocean, Poets & Writers Magazine, Paris/Atlantic, The Writer Magazine, Carolina Quarterly, Calabash, Passages North, and The Encyclopedia of African American Women Writers.
 

 


NEST OF HONEY: A BLUES FOR SAMSON

after Luca Giordano’s painting Samson and the Lion

 

“…and Samson turned aside to see the carcass of the lion: and, behold,

there was a swarm of bees and honey in the carcass of the lion.”

-- Judges 14:8

 

I killed a lion with my hands, yanked its mouth ‘til it was torn;

Said I killed a lion with my bare hands ‘til its jaw was bloody and torn.

That lion died such an awful death, it cursed the day it was born.

 

With the strength in my hair, I turned that lion into a hive of bees;

Said I went to that lair and turned that lion’s corpse to a nest of honey for the bees.

But I had no clue a bee named Delilah was about to come and sting me.

 

That woman Delilah put a spell on me and I let her in my bed.

Her body was tight, she loved me right and I put her in my bed.

Then she called the Philistines to put out my eyes and cut the hair off my head.

 

She ripped my heart like I ripped that lion and brought me to my knees;

Said Delilah was the poison that killed my power and brought me to my knees.

She turned my body into a corpse and a nest of honey for the bees.

 

 

 

SUNSET IN TUNISIA

after Henri Rousseau’s The Dream

 

Not the lion who stares frightened,

almost hypnotized, under the blue lotus;

nor the wide white moon

brighter than the day’s gray light

 

Not the elephant gazing sideways from the trees

like a tropical hieroglyph;

not the yellow-feathered bird high in the branches

who seems to be flying backwards

 

Not the indigo dove poised perfectly

amid the orange clusters of a fruit tree;

Not the monkey who is either dangling from a limb

or waving its hands in victory

 

Not even the naked woman

who is reclining, or floating,

whose brown hair twists past

her petal-pink nipples, her cloud-colored skin

 

No: The door and key to this dream

are where the naked woman points her stubby finger:

to the obsidian-fleshed woman

planted among the flowers and ferns,

dressed only in a skirt with stripes

the colors of a forest and sunset in Tunisia ;

 

Her dusky fingers strumming a flute,

her breath channeling mystery,

the trees and ferns and lions at her feet,

rattled and entranced with her song;

its music as deep as the roots of this jungle,

 

as sly and quick as the snake

slipping through the grass  

 


 

 

 

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