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Shia Shabazz
Spark - Fall 2006 



Shia Shabazz's works have been widely published and anthologized. Her work has been featured in From My Mother's Hands - a collection of narratives from Texas women and their mothers - and Red Boots and Attitude: The Spirit of Texas Women Writers, along with many other poetry publications. Her poem, Inquisition, was selected as a finalist in the Lois Cranston Memorial Poetry Prize for Calyx Journal. Notable screenwriting mentions include finalist placement in the 2005 Tribeca All Access Connects Program, the 2005 Moondance Screenplay Competition, the 2004 Sundance Screenwriters' Lab, and the 2004 IndieScript Screenwriters' Competition for her fourth screenplay, the MARMALADE.

www.shiashabazz.com
 


Sharon Bridgforth on Shia Shabazz as her Spark.

shia shabazz is my SPARK!
her ability to craft a poem/create a dance/Vision a screenplay
her commitment to living as a writer/to making fierce choices/always
moving forward.  her laughter determination dedication to other
artists/to
her children.
her style and flava.
i am inspired
i am encouraged
i am challenged to be a better writer/a better person cause'a my gurl shia.
she a baddd#@$ shutyo mouth
Black Wo'mn Warrior Writer.                                                                


 

Cyanosis
: a bluish or purplish discoloration (as of skin) due to deficient oxygenation of the blood

cold lips
four sets
unable to purse for kisses
only house chattering teeth now
tender orifice of fear
 
this mother
no longer able to oppugn the voices
standing alone with her children
on pier 7 in san francisco
the rush of hours
the hush of wind and world around her
 
sun shining on everyone
everything but her
sets itself into the bosom of the pacific
 
each of her sons wait
not knowing
should have wanted less
cooperated more
only knew how to push buttons
need hugs
even when she was too tired
or too loved-deprived to spare them
 
on this day
she, unable to kiss another pair of starving lips
or lie awake on another scrap of plastic, plywood, metal or spring
strips each trusting child of possibility
hurls him nude
until salt envelops salt
and the clap of waves
silences
 
apologies
 
 
 
Belly Boy
 
on a good morning
before the day pulls us from bliss
my son who is seven and
finally leaving my face for his father’s
follows the instinct of his lethargy
into the spaces of my bed
entwines my limbs
kisses and clings to the pooch of belly
he left on my body seven years ago
 
we fight for possession
until his sister, now a nagsome nine
arrives in her usual fashion to demand
her share of this wealth of loving
then shames him well enough
to cease such childishness
and goes back to sucking her fingers
caudling her doll
 
he resigns his kisses to my cheeks
snuggles his head into the curve of my free arm
slides his finger under my nightshirt
presses it into the slight “y”
of my belly button
like he’s pointing home
 

 

Latchkey

 
 1.
 Eve     home after school
 closes blinds then strips near nude
 giggles on the phone
 
 2.
Eve's mama calls her
 twelve going on twenty-four
 men come sniffing
 
 3.
 they notice her now
 adolescence absorbed in
 hips     wide for birthing
 
 4.
 she likes attention
 mama chides    finger waves high
 points long and away
 
 5.
 Eve rolls her eyes
 smacks teeth against thumb resting
 between suckling lips
 
6.
 Men wait 'til mama
 washes            shops   leaves her latchkey
 locked in and open
 
 
the other night
 
they slept in other beds
other shoes and clothes
strewn around their other rooms
with other chests of other toys
other shelves lined with other books
in their other house
on that other street where
their dad and that other woman
share with them
the other kisses
that are not mine
 

 

 the talk
 
do you think you’ll have another baby?
if so, does that mean you’re gonna have sex again?
 
smirk simmering at the corners of her mouth
my daughter knows it has something to do
with sex, which she knows
between herself and her brother
has happened at least two times in my life
 
and she knows because she’s been here before
here, to some version of this question
and, i am certain, here, to some version of this life
where i must negotiate truth and her being nine
 
she likes to watch me squirm
through the foreignism of birds and bees
language i never learned from “the talk”
i never had, like other girls
endear / endure with parents
 
she pushes me through the challenge to redefine
my understanding of what sex is
as learned from knuckle-headed boys or
prepubescent girls who were passing on what some
father/brother/cousin/mother’s boyfriend/aunt/neighbor/family acquaintance
had already stolen
 
it is the fire of knowing she craves
the center piece of this puzzle she’s worked on
since she became aware of victoria’s secret commercials
remarriage and the boy at table five in the cafeteria
 
i don’t think i’ll have anymore babies, i finally tell her
kissing her forehead with a knowing look
you and your brother are quite enough.
 
she skips away, satisfied that i’ve answered her question
i am relieved that she’s gone and not asking
if that means I will not be having more sex
 

 

 

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