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Lauri Conner


Lauri Conner is a Cave Canem fellow and her work has been published in Seattle Review, Calx and other journals, as well as in anthologies such as Gathering Ground, Revival, and forth coming in The Ringing Ear.

 


How do you stop the hurt of needing to breathe?
                                                (for Toi)

you don’t.  let hurt and air sting the nostrils,    

allow bitter breath to trouble taste, and when you have 

closed off from the rest of the world because hurt hurts; when you have

sucked in as much as you can --- trust.
your throat can bear the burn       completely

 let it out.  let words wash,  each time,
and feel the twinge

becoming breath sung through  the box of the voice.   muting
the cries, muting the  screams.   and as the draw continues,

 continue to be touched--and open.
and what needs to be done is clear:

move to the wind pipe and be careful of the vulnerability
of your pull  the slow burn of hurt exact.   exposed.         budding 

                                                                        let me hold you close at night whisper
                                                                        sweet nothing sweet nothing

 into the roots of your lungs.  pull them out if you need to.  pull
them out if you want.   let hurt occupy most of the space

                                                                        and when the breathing need of hurt blows                                                                         through the gullet of the heart,

 in the lungs where it collapses the ache--- ache.  let hurt exchange blows
with hurt and hold, let the pain claw at the cavern,

                                                                         the chest, press my hand to your heart.

 inhale it.  expand.           

                                                        and at the height  of distress,   relax     

push air out of the body, with it the waste.

 

  

In My Father’s House
(for Barbara)
 
The floors creaked at the weight of dawn
the weight of sun tapping window    one by
one they would come to biscuits and butter
grits   my mother’s tables set perfectly in this
 
House of my father    we held no claims to
lives toppling out the way they toppled in
the uncontrolled and undetected     last weeks
check payment in full     account    a closed book
 
A story barely read    illegible   never written
sometimes the lives came so fast and left   so swift
we thought we were imagining fishes    caught
in daddies net     ones that got away
 
Had it not been for momma    keeping record
canned tomatoes    one down for every one
gone    an abacas she added and subtracted
on    had it not been for that garden full 
 
Red ripe tomatoes to can after season    we would
not have known all the lives touched     remembered
in that house of my father     we counted our blessings
by the sounds of  doors closing    numbers of shadows
  
Remaining on the porch under windows   cawing at
the crows of the world    had it not been for that man
that woman making sure bellies were full and roofs
tip top for any kind of riders at night   had it not been
 
For creaks in the floor   boards bending the moment dawn
breathed    I  could not paint the world
in fire   water   tree   or bird
 
 

 

Girls I Knew—Grenshaw, Chicago, Ill.
 
outside the bodega they play
leaning and banging blood
barely breathing they funnel smoke
rings underneath stars dowtown  closed-
in sweet as pressed flowers
a swarm of snap dragons
a sack of rhododendrons
a blanket of  misgivings
a song sprayed across the truth
 

 

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