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Keli Stewart



Originally from Chicago, Keli Stewart’s writing travels across regions in an exploration of women’s issues, often focusing on mothering, childhood, and class. She is the recipient of the Douglas Turner Ward/Alice Childress Scriptwriting Award for her play 'House of Forks and Knives' and has one chapbook titled 'Womanish'. Her work has been published in numerous journals and books including 'Drum Voices', 'Warpland', 'South Loop Review', 'Letters to Fathers from Daughters', 'Meridians'. Her current work, a collection of short stories and poems, are first person narratives exploring race, class and gender, inspired by her life as a single mother in the Pioneer Valley.

 

 


Blues & liquor 

Bertha Jones had a nigga-stroke, as she called it, a stroke brought on by a series of typical yet unfortunate events associated with life in the ghetto:

  1. Her abusive husband of 43 years died suddenly and uninsured.
  2. The same week as her husband’s death she went to the casino and won $10,000.  She bought an overpriced casket for $5,000, the rest she placed in her bottom jewelry box drawer with her teeth.   Two days later the money was stolen, along with her teeth, by one of her children who ventured with dirty fingernails into her room for a jar of TCB grease.
  3. Her youngest daughter dropped dirty and was sentenced 3 years for a violation of her parole.
  4. Wells Fargo scammed her in a reverse-mortgage-gentrification scheme and threatened to repossess her home.
  5. Her garage was burglarized.  The thieves walked away with her gas bar-be-que grill, her granddaughter’s pink 10-speed and the hubcaps off her Cadillac Sedan Deville.  (You could not convince her that it wasn’t Wells Fargo).
  6. Her cable got turned off.
  7. She had the gout in her right foot.
  8.  and Type II Diabetes.

 

Needless to say, she found every day pleasure in a variety of activities that amused and busied her.  These included gumming rag bologna with crackers, scratching lottery tickets and watching Judge Mathis.  She used to watch Judge Mablean until she decided that Judge Mablean was not a real judge by the low-class manner in which she delivered her rulings.  Except for the constant streaming in of six her children asking for money or teat and the doorbell ring of neighborhood people who remembered the heaviness of her pocketbook before the crack epidemic, Bertha Jones existed without the day to day companionship of somebody she felt who loved her.  Her ill uncle briefly came to visit, live, and die.  The two spent three weeks talking and remembering.  She’d realized that she shared more about herself in three weeks than while married.  Her older-women-friends were dying, one murdered by a crackhead errand boy, the others sold their homes and moved back down south to escape the chaos that progressive-city-great-migration-living had become.  Her parents passed away back-to-back over thirty years ago and her one clean bourgeois child spent every phone conversation trying to convince her mother of the Westside of Chicago’s ills and asking why don’t you want to move back down south to Mississippi?

“What the hell I look like living in a small town with small minded people?” was her response.  “If I wanted motherfuckas to know when I shit, I would go out to the front porch and tell them.  In this city!  Ain’t nothing down there for me but up the road and down the road, to the mailbox and back up the hill!”

Bertha Jones didn’t mind the thought of small town life as much as she despised the memory of living a squared red dirt and expectation driven existence as the child of schoolteachers in Jim Crow Mississippi.  Every memory to her was like a ruler hand slap.  Chicago happened on a whim .  She’d come up for a wedding in ‘52 and never went back.  In ‘53 her brother drug her out of Bee’s Tavern for drunkenness, ill-talking, and shit-starting the way he had back in Mississippi when she, with red wavy hair and bright-bright-damn-near-white-skin, snuck to backwoods jook joints for blues and liquor against the feeling of being good and being a girl. 

Now, her eldest daughter offered the first floor servants room in her mansion.  This room, decorated with antique oak let out through French doors to a deck and six acres of green grass and pecans the ground ate up.  The historic brick home was a confederacy remnant and had its very own brochure.  Needless to say, this daughter,  would not let Bertha Jones smoke her Pall Mall’s inside of her home and Bertha felt that it was such a chore to not smoke in bed while half sleep with the ashtray right there.  Shidddd!  The stroke had left her left side stiff and low not her mouth.  She hobbled throughout her own house, gripping various pieces of furniture for balance just to go to the bathroom.  She felt that the invitation was a nasty attempt to curb her smoking, which she would not have.

So she stayed in Chicago, upholding the sancity of this block on the tip of her cane like the top-hatted man on a bottle of Johnny Walker Red.  Nothing was as desirable for her as a cigarette and a glass of Canadian Club or V.O with Coke.  It had been years since she drank, since her granddaughter balanced a V.O gallon on her scarred knee and poured liquor into a glass until grandmama said when.  The cart-bar in her dining room had collected layered dust and sticky screw on caps over time as less people came by to socialize and more came by to beg for a cigarette and pilfer.  She had grown damn near evil.  Neighborhood people who saw her children in and out of Madge’s Tavern or Texas Lady suspected that her ways had slowly imploded each child at a time.  Starting with the oldest boy on down to the youngest girl, who police found by the curb picking up abandoned pieces of tin foil. 

Inside the house with the air-conditioner mixing with cigarette smoke, she felt sewn up.  Every so often a car with bass in the trunk would pass by and rattle her windows.  A mouse would bore a hole through the Wonder bread and grateful, she would ask somebody to go to the Bill’s corner-store and feel satisfied when they lingered for conversation, change, cool air or a can of Pepsi.  Slow-walking and shuffling she scooted her swollen pink feet over the berber carpet, three shades darker from cigarette soot, and made her way to the t.v. where dvd’s appeared and disappeared.  It was where she kept her cassette tapes.  Nothing new.  Old blues songs and remixed versions that somebody, trying to be nice would bring by to impress her.  She would shell out a twenty and the visitor, leaving to go get change would never come back. 

She bundled the black Casio cassette player under her right arm while gripping the couch, then the chair, the wall paneled over with fake rosewood and stopped half way to the front-door.   Suddenly, she plopped down in an upholstered swivel chair, brushing up against bleached lace curtains and looked for an electrical socket.  Next to the front door, the tape sang:

When you meet a friend, you smile because you’re glad

When a friend deceives you, it makes you feel so bad

Gripping the wall, she made her way towards the back of the house, where the mini-bar sat next to a china cabinet with depression era glass plates and saucers.  She wiped the inside of a “Sweet Home Chicago” glass mug with the bottom of her floral muu-muu and walked out to the porch with phone in dress pocket just in case it rang and somebody wanted to come over for a drink with her, for a drink to commiserate.   It had been so long. 

When you meet a friend, you smile because you’re glad

When a friend deceives you, it makes you feel so bad

When you lose your loved one, it makes you feel so blue

And then you’ve got a heartache, and there ain’t nothing you can do

There ain’t nothing you can do, I said there ain’t nothing you can do.

 

On the porch she waved and drank, Hey Mizz Jones and drank.

 


 

 

 

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